Leo Frank Meets Hollywood: Parade the Leo Frank Broadway Musical Goes International

From Wikipedia:

Parade is a musical with a book by Alfred Uhry and music and lyrics by Jason Robert Brown. The musical was first produced on Broadway at the Vivian Beaumont Theater on December 17, 1998. The production was directed by Harold Prince and closed 28 February 1999 after only 39 previews and 84 regular performances. It starred Brent Carver as Leo Frank, Carolee Carmello as Lucille Frank, and Christy Carlson Romano as Mary Phagan.

The musical won Tony Awards for best book and best score (out of nine nominations) and six Drama Desk Awards. The show has enjoyed a U.S. national tour and numerous professional and amateur productions in both the U.S. and abroad.

Source: http://en.wikipedia.org/wiki/Parade_%28musical%29

The whole conspiratorial premise of Gentile anti-Semitism woven through the 21st century production of, ‘Parade’, is to mask the Jewish racism against African-Americans and European-Americans inherent in the Leo Frank Case agitation campaign against Western Civilization. For the last 100 years, Jews have manipulated the Leo Frank case into a fraudulent Jewish persecution themed fiction, meant to demoralize Gentiles, especially European-American Gentiles. Jews don’t consider it a crime if one of their own racial kinsmen pounds in the face of a little White Gentile girl, before ripping her clothes open and savagely raping her, moments before strangling her to death with a cord.

What this re-engineered Broadway play does NOT tell the audience is Leo Frank botched a most deliciously racist intrigue, a poorly orchestrated attempt with Jim Conley’s help to frame the murder of Mary Phagan on an African American security guard named Newt Lee.

The reason the plot would have surely succeeded if Leo Frank hadn’t botched it, is because Negroes were considered third class citizens, and their word was almost never taken over a White man or women. Leo Frank plotted to entrap an innocent negro, to become his patsy, and hang over the murder of Mary Phagan. In 1913 Atlanta, it would have been infinitely easier to convict a low ranking African American nightwatchman or janitor (Newt lee or Jim Conley) vs. a prominent and wealthy White Jew who was well connected in the South. Leo Frank married into a prominent Jewish family, and he was the 1912 and 1913 president of the Atlanta B’nai B’rith, a 500 members strong Jewish Brotherhood that collectively wielded enormous resources. Leo Frank had the best and most expensive Lawyers in all of Georgia.

After Leo Frank’s racist plot failed against the African-American Newt Lee, Leo Frank made a second racist attempt to pin the murder of Mary Phagan on his African American Janitor named Jim Conley, his admitted accomplice after the fact.

The Leo Frank Case is being used by the genetic enemies of Western Civilization as a subversive cultural weapon of agitation, division, demoralization and deracination against Southerners, African Americans, and Gentiles. The Leo Frank Case is being used as another front in the Jewish race war against Western Civilization. What makes this Jewish campaign most grotesque is the recruitment of Gentiles as cannon fodder in their dirty culture war.