Parade the Leo Frank Broadway Musical: un-American Jewish Theater Being Used Internationally to Subvert and Strangle Western Civilization
A thespian music video by Jo Jo Brown, who sings “It’s Hard to Speak My Heart” from the Leo Frank musical ‘Parade’ (Broadway should hire him, he’s a perfect typecast to perform as Leo Max Frank), JoJo Brown is not affiliated with the Leo Frank Research Library.
Even the ADL promoted showings of this musical!
‘Parade’ the Broadway Musical (1998) by Jewish-Americans Jason Robert Brown and Alfred Uhry, uses a raped Christan teenage girl who was strangled to death, as a cheap plot device, to humanize and rehabilitate a sexual predator and convicted child-killer because of his ethnoreligion: Judaism.
Downtown Atlanta, Georgia, Spring of 1913
On Confederate Memorial Day, Saturday, April 26, 1913, inside a dingy shuttered factory at the heart of Atlanta’s industrial sector, an infatuated serial rapist-pedophile, viciously assaulted one of his teenage employees. The victim had rejected her boss’s creepy sexual advances for the last time. In 1913, there was no word well defined words for sexual harassment, sex offenders, sexual predators, sexual assault, child molesters or pedophiles, other than some of the commonly used contemporary terms such as libertine, lustful, lecherous, rake, satyr, pervert and lascivious.
13-year-old child laborer, Little Mary Phagan (Born June 1, 1899), had been laid off because the brass sheet metal had fully depleted on Monday morning, April 21, 1913, and the new shipment was late in arriving, thus without this essential production material, there could be no brass bands created to be attached at the ends of pencils, and therefore Phagan couldn’t use the knurling machine at her work station to insert rubber erasers into them. Mary and four other girls had been temporarily laid off, one of those girls was a critical witness at the Leo Frank trial named Monteen “Iola” Stover, who is represented as Iola Stover in this theatrical play making a mockery of Southern Legal history.
Mary’s job was a business critical dependency in the factory’s manufacturing operations, because adding erasers into the base of pencils was the last production stage, before they were placed as neat bunches in waxy tissue paper, packaged inside rectangular monogrammed boxes, before being shipped off for distribution nationwide in large crates.
During an average week, the National Pencil Company was grossing between $2500 and $5400, which was rather impressive by 1913 standards for a company born only five years prior. The NPCo factory’s official founding date was: April 8th, 1908 (Atlanta Constitution Newspaper, April 8, 1908, The Internet Archive).
At the National Pencil Company headquarters, located on 37-41 South Forsyth Street in downtown Atlanta, Georgia, Phagan climbed the stairs from the first floor lobby, then entered the anteroom of Leo Frank’s second floor window front office at just minutes after highnoon.
Standing in the door frame, Little Mary Phagan said, “Mr. Frank?” and Leo’s lion-heart began thumping quickly as he recognized the voice and gazed up, especially because now he was all alone with the very attractive child laborer who was dressed gaily in lavender trimmed with white lace, one whom he had a crush on for so long and she had blossomed far beyond her tender age.
Most Crimes of Passion are Rooted in Jealousy
Leo Frank had fired the 6’4” tall strikingly handsome James Milton Gantt about two weeks early, because of a shortage of about $1 in the petty cash payroll box. But it was nothing more than a ruse. Leo knew Mary was very much into James, as she looked up dreamy into his baby blue eyes, like he was her Knight in shining armor, and James looked after Mary as well as he had known the Phagan family for years. So the Superintendent got the prince out of the way, so the jealous dragon could play!
Mary was the one employee Leo was infatuated with, but couldn’t have, because of Gantt, she had spurned lecherous Leo’s obnoxious pesterings and subtle innuendos since the Spring of 1912, humiliating his arrogant ego and making him ever more determined.
For an ambitious man like Leo Frank, who doesn’t like taking no for an answer, now he would finally get even!
Frank said “Hello Mary” in a nebish voice with a Brooklyn-Yiddish accent. Phagan immediately requested her pay envelope of $1.20 and inquired if the ordered metal supplies had been delivered yet. She was naturally concerned, because she came from a poor family with five siblings and depended on the money, curiously wanting to know if, whether or not, she should return to work on Monday morning, April 28, 1913. Leo Frank said inquisitively, “No, I don’t know” as he pushed back his wooden chair screeching against the floorboards and stood up briskly. While walking together into the machine room, located just down the hall, opposite from Frank’s office, they made small talk about wondering if Mr. Darley had received the brass shipment yet in a timely fashion, and stocked the closet next to the lady’s dressing room where these supplies were normally stored, located just diagonal to the wall where the lathe work station was situated in the metal room.
Although Leo Frank initially said “No, I don’t know”, in truth his requisition papers indicated otherwise. Leo’s hand written business ledgers indicated the shipment wasn’t to be delivered until early in the following week. Saturday was Confederate Memorial Day, an important Georgia State holiday and no deliveries would be made because of the Parade. Outside the factory, the streets were filled with lively revelers walking to and fro, despite the somber mood the holiday represented, there was excitement in the air under chilly overcast skies.
Most Jewish-American accounts of the Mary Phagan murder case leave out the facts and details about what happened next…
After the 5’8” tall and 155lbs., Leo M. Frank, lured 4’11” tall and 107lbs., Mary A. Phagan, into the metal room on the pretext of determining whether or not she would need to report to work on Monday morning, April 28, 1913 at 6:30 o’clock a.m., “upon realizing” that the metal hadn’t yet arrived, he used her temporary laid off status as a species of sexual coercion, but something went terribly wrong and took a violent turn.
Inside the metal room, Frank’s heart began to throb as he said to Phagan — while his effeminate hand gently caressed her shoulder — “Mary, If you still want to work here, I want you to be with me”. Phagan became grotesquely horrified and said, “NO!” while tried to swiftly pass by Frank on his left side and run out of the metal room, but Frank checked her like he was playing basketball for his class team at Cornell, as he had done so for four years (1902 – 1906) at his college — blocking her escape attempt and closing ranks, this time there was no where to run, and there was no where to hide. She was cornered and there would be no escape. Flustered, he seized her with both hands this time, but Phagan jerked, yanking away and told him “I’m not that kind of girl, take your hands of me!”
At this point the incident had crossed the line and could no longer be played off as a joke, as it had been in the past with so many other female child laborers. More than 19 girls would later come forward to testify to Leo Frank’s lascivious character.
It was then at that exact moment, when she spurned the ultimatum of her lecherous and bug-eyed superintendent for the last time, denying the desires of an ambitious boss who had earned himself a bad reputation amongst the child laborers at the factory as a libertine. Terror Unfolded! In an explosion of rage, like a bucket of bricks falling out of the sky, Leo Frank clenched his left fist as his gold wedding band tinkled in the dim gray light falling from the grimy factory windows, and then he pivoted roaring like a lion, swiveling, pitching a fist curve ball into Mary Phagan’s right temple as she reeled back screaming in absolute horror. In a precipitous storm of fury, his angry knuckles began hailing down in a flurry against her delicate feminine cheek bones like sledge hammers on the chain gang.
Jim Conley who was idly seated on an old wooden box next to the staircase at the factory’s first floor lobby, while the assault was occurring upstairs in the metal room, eerily described to Police weeks later, the sound of Phagan’s bone chilling echoing cry of mortified agony: As a stuttering laugh that broke off into a shriek and then absolute silence.
Inside the Metal Room
Leo Frank kept pounding Mary Phagan’s face in, blow after blow, while the back of her head slammed against the the lathe workstation belonging to machinist Robert P Barret, leaving behind bloody tresses of her dark strawberry-blond hair tangled around its solid iron handle that was shaped like an “L”. Why this conspicuous forensic evidence was never cleaned up after the murder, tends to sustain the bespectacled Leo Frank’s irrational state of mind and short-sightedness.
Phagan crumpled to the floor passing out at the feet of Leo Frank towering above, whose heaving chest was rapidly breathing in gulps of stale air as he looked down upon her with vengeance. Frank’s face was flushed with blood and shivering with tantalizing sexual intensity as his bulging black dilated eyes were exaggerated outward from underneath his wirerim eyeglasses. Frank immediately dragged Phagan by the shoulders to the doorway of the bathroom in the tipping department of the metal room, tossing her over on the dark dirt-old wooden floorboards like a sack of potatoes.
Kneeling down, Frank then ripped off a 3 inch wide strip of Phagan’s petty coat midsagitally, first tearing upward vertically at the hem to her crotch and then turning across horizontally, followed by tearing straight down to the hem again, he put the bunched cotton material behind her head like a sponge, to soak up the slowly leaking blood from the lathe wound on the back and side of her head.
Next Frank frantically hiked up and pealed open her torn dress, spread her tender baby fat thighs, using a small pocket knife, he pinched, ripped and cut open her knitted underwear across the vagina all the way to the right seam, unbuttoned his pants, pushed his dirty underwear down, and hocked a thick disgusting loogey of coffee and tobacco phlegm into his left palm, right onto his wedding band and moved the thick snot-like spittle around in circles with his thumb, before massaging it all around the tip of his rockhard, STD infected, 4” erect penis.
Then the Vicious Psychopath Raped Mary Phagan.
Her innocence was torn away, bleeding. Phagan woke up disoriented in dizzying pain from unconsciousness, putting her arms and hands over her black and blue eyes, sobbing and crying out repeatedly, “No, No, No”, with tears showering from her fist swollen face, trying to roll away under Leo Frank was impossible.
In a moment of shame and humiliation, Leo Frank was unable to ejaculate when Phagan awoke, and seeing his whole life pass before his own eyes in Phagans tear-drenched, beaten face. Knowing his reputation in the widely assimilated German-Jewish community of the South would be irreparably harmed if she told anyone about what happened. Knowing his wife from a prominent Jewish family, would surely seek divorce in the aftermath of this sex crime. Acknowledging with certainty his family in Brooklyn would without a shadow of a doubt disown him for his unspeakable crime. In a flash of frightened clarity and fear, Leo Frank knew he would be disgraced if anyone found out, and that he would likely be living out his life break rocks on the chain gang, so there was no other way out, but to permanently silence Phagan, so she couldn’t tell; and that’s exactly what he did…
Frank stood up quickly looking around the room, he frenetically pulled himself together in a moment, pulling up his underwear, buttoning his pants and grabbed a nearby 7 foot long jute cord hanging off a nail on the adjacent wall. With white knuckle fists flexing, he strangled Mary Phagan to death, burying the cord 1/8th inches deep into her tender throat and leaving the cinched knot at the right front of her neck. He got up and stepped backward from the scene, looking upon what he had done as Phagan’s unseeing eyes stared into the dusty emptiness in the hushed building. His mind racing, he stood there transfixed to assess the situation and later called his Negro Janitor, James “Jim” Conley, to help him remove the body from the metal room and dispose off the cadaver in the large basement incinerator oven, but the plan was never fully completed.
Leo Frank’s Deliciously Conspiratorial Racist Anti-Black Sub Plot:
Conley refused the final step of stuffing Mary Phagan into the furnace and instead agreed to ghostwrite death notes on behalf of Leo Frank, framing the newly hired Negro nightwatchman that nobody really knew, Newton “Newt” Lee, who was of Afro-Caribbean descent. Newt Lee in his trademark faded blue overalls, was an old, honest, married, dark complected, balding, tall and slim African-American man with no criminal record to speakof, who had spent most of his life as a lanky graveyard shift security guard, doing his rounds, shuffling his feet in slow motion with a smoky lantern bobbing in the inky darkness. Leo promised Conley $200 (7 months wages) if he kept his mouth shut and likely believed in the racial separatist South that even if Conley ever blabbed, no one would ever believe the word of a Negro over a Whiteman.
The Shocking Discovery in the Cellar:
On Sunday morning, Newt Lee — who the racist Leo Frank tried to frame for the murder — punched the time clock at 3:01 o’clock a.m. at Frank’s office, as he was required to do every half hour, and went down to the basement to use the segregated “colored toilet” for “dropping the kids off at the pool” and upon completing his “bidness”, he went to check the backdoor service ramp. It was then in the gloom at 3:20 o’clock a.m., he discovered the mauled body of Little Mary Ann Phagan, dumped in the rear corner of the basement, where garbage was normally placed before being burned in the cellar’s massive furnace-incinerator that heated the drafty 4-story building.
When the police arrived, they followed Lee down the ladder below into the 80 foot wide, 200 feet long, stygian catacomb tunnel. With primitive flashlights, found tracks indicating Mary Phagan had been dragged face down 140 feet from the elevator shaft across the hard dirt cinders of the basement, before being dumped diagonal to the incinerator. They also found the murder notes that pretended to be written by Mary Phagan accusing Newt Lee of the crime. The body was removed by a wicker basket to P.J. Bloomfield’s mortuary at 4:00 a.m., upon examination, astonishingly, the deep pocks and scratches on her face didn’t show any signs of bleeding! This curious detail forensically suggested to the Coroner and undertaker that she might have already been dead before being taken to the basement. Physicians had known for centuries that when the heart stops beating, the bleeding-scabbing cascade in the healing process on the epidermis (skin) no longer occurs. It was a unfortunate detail the myopic murderer had never anticipated when trying to make the basement look like the initial scene of the crime.
Phagan’s underwear that was still attached around her hips, was soaked in dried blood and discharge. Her dress was moist from top to bottom in urine, suggesting that someone had pissed all over her entire body. Wrapped around her neck was the strip of her blood soaked petty coat, hiding what was underneath, the 7 foot jute cord cinched in a loop around her neck, snuggly buried 1/8 inches deep into the throat. Phagan’s face was purple, and her tongue stuck out from her mouth through her teeth one inch suggesting she had been strangled to death. There were wounds on the side and back of her head, and two below the knees. The upper side of her shirt at the chest level had be torn open revealing her left breast. Her hair and entire front part of the body were caked with coal cinders, dirt and debris, presumably from being dragged facing down 140 feet across the hard earthen floor of the basement. Oddly, her arms were reverently crossed over her bosom. Her pocketbook made from German silver was missing and the red flowers attached to the front of her pale cobalt blue hat were missing. Her parasol was found at the bottom of the garbage strewn elevator shaft tray a few feet away and next to a coil of human excrement admittedly laid by 27-year-old Jim the sweeper. Members of the Jewish community would crassly claim for more than a century that the feces in the elevator shaft is what indisputably exonerates Leo Frank, this BS theory (pun intended) is now commonly referred as the, ‘Shit in the Shaft’ (Oney, 2003, 2004, 2009).
Police tried all night long to contact the sleeping Frank, but he didn’t answer the phone, even though the telephone was located and ringing obnoxiously just under the wooden floor boards — of his second floor bedroom — in the dining room just below. Finally the police were able to reach Leo Frank on the phone in the early dawn hours of Sunday, April 27, 1913, letting him know they would be at his home shortly.
When the police first arrived at the Frank-Selig residence at 68 east Georgia avenue, Leo was acting very nervous, struggling to put on his collar and tie. The half dressed Frank kept delaying leaving his home, asking repeatedly for a cup of coffee, but the police insisted he come with them immediately. Inside the squad car Leo Frank nervously claimed he didn’t know his employee Mary Phagan or any of the girls at the factory, and denied knowing Phagan’s name when he saw her mutilated corpse on a cooling table at P.J. Bloomfield’s mortuary.
When police and detectives took Frank to his second floor office at the Pencil factory, he opened his four foot tall safe, removed the payroll ledger, and told the accompanying officers he paid off Mary Phagan at about 12:03pm on Saturday, April 26, 1913. The next day (Monday morning, April 28, 1913) in the presence of his elite lawyers (Luther Rosser and Herbert Haas), Leo Frank made a stenographed deposition to detectives and police at the Atlanta station-house that Mary Phagan came into his office between “12:05pm and 12:10pm, maybe 12:07pm” (State’s Exhibit B, Leo Frank Trial Brief of Evidence, 1913).
What Leo Frank did not know at the time of the sadistic rape-murder is that the 5’2″ tall and 14-year-old Monteen Stover (Iola Stover), another little girl who had been laid off early in the week for the same reason as Mary — because the brass sheet metal had run out — was waiting inside his office all by her lonesome. According to Monteen “iola” Stover, she waited in Leo Frank’s business office from 12:05 pm to 12:10 pm based on his wall clock, hoping to collect her pay envelope, but she left after waiting for 5 full minutes, because she thought the building might have been deserted due to the state holiday.
For 3.5 months, Leo Frank swore to the murder alibi that he never left his office when Phagan arrived, until at 12:45pm, to go upstairs to the fourth floor, but then on the witness stand at his trial on Monday afternoon, August 18, 1913, he —- Reversed himself —- making a newfangled and never before heard ineluctable admission to explain why Monteen Stover had found his office empty during the exact same time Leo Frank told the police Mary Phagan was with him in his office (State’s Exhibit B, Monday, April 28, 1913; Monteen Stover Testimony, Brief of Evidence, 1913).
Frank seated comfortably on the stand, said, “NOW GENTLEMEN”, looked the jurors in their eyes and announced to a packed courtroom, that he might have gone to the bathroom in the metal room to use the toilet or urinate — at that critical time (12:05 to 12:10pm) — and that those were things that a man does “unconsciously”. (He would re-assert this newfangled bathroom incriminating admission in a jailhouse interview published in the March 9, 1914 edition of the Atlanta Constitution).
The incriminating statement by the defendant was deliciously ironic for unbiased observers who simply wanted to arrive at the truth, but for Leo Frank detractors, it was the equivalent of an inescapable murder trial confession, because Frank had contradicted and entrapped himself beyond escape in the metal room, sustaining the prosecutions theory. Leo Frank’s defenders would spend more than 100 years suppressing this testimony about an “unconscious” metalroom bathroom incident and claim that all the best evidence at the trial with modern analysis, indicated that Jim Conley assaulted Phagan in factory lobby on the first floor, where there was no evidence found after the murder discovery, except for seven decades later when a senile octogenarian named Alonzo “Lonnie” Mann (August 8, 1898 – March 19, 1985), who was formerly Leo Frank’s office boy in 1913 for three weeks, in 1982, came forward 69 years after the verdict, claiming he saw Conley carrying an unconscious Mary Phagan there toward the basement’s scuttle-hole where a ladder descended. Mann’s newfangled evidence suggested the disposal of the victim was by the stairs, instead of the elevator as Conley stated, contradicting Conley at the trial who admitted carrying the corpse of Phagan to the basement for Leo Frank by elevator, so it added no new evidence other than only changing the path. Mann lacked veracity, because he testified to leaving at 11:30 am in 1913, not 12:05 pm, until 70 years later. However, The Racist Anti-Defamation League of B’nai B’rith and powerful Jewish groups of American-Israeli Jewry used this questionable evidence to secure a posthumous pardon for Leo Frank on a technicality, but the pardon was *without exoneration for the crime* – a detail usually left out in almost every retelling of the Leo Frank Case.
The Prosecution’s Theory: The Metal Room.
The “unconscious” toilet revelation by Leo Frank was an earth shattering retort on the witness stand, because earlier in the trial, Jim Conley said he found Mary Phagan dead in the bathroom area of the metal room on behalf of Leo Frank, who according to Conley, Leo confessed to him (Jim) about murdering her (Mary) there because she wouldn’t have sex with him (Leo). Employee witnesses for the defense and prosecution had already testified to finding a 5 inch dried blood puddle diagonal to the bathroom door in the metal room and about a lock of Phagans bloody hair tangled around the solid metal handle of the bench lathe in the same room. So it all came together at the trial when Leo Frank testified for nearly four hours, rambling away and putting his foot in his mouth.
Had you been sitting in the Jury box or behind the judge’s Rostrum on August 18, 1913, listening to Leo Frank’s explanation for why his office might have been empty, when he claimed to the police he was there alone with Mary Phagan at that exact same time, you would have involuntarily shivered as cold chills spilled down your spine, but for more than 100 years, the Jewish community continue to wage an anti-Gentile racist defamation campaign against the Southern European-Americans, claiming Southerners framed Leo Frank, indicted and convicted him because he was Jewish and two years later hanged him because he was Jewish. The narrative that anti-Semitism was behind it all, has been perpetuated in the mainstream media and popular culture for more than 100 years and has become the morality tale and orthodoxy of the case, but is the tide changing? Are people finally questioning the racist Jewish extremist dogma?
The Leo Frank Case has evolved into the longest running anti-Semitic Hate crime hoax and anti-Gentile blood libel slander in the history of the United States of America.
The conviction of Leo Frank galvanized the formation of the Anti-Defamation League of B’nai B’rith in October, 1913, after the 500 member strong Atlanta B’nai B’rith voted unanimously (Atlanta Constitution, September 24, 1913), to re-elect their “wrongfully” convicted and imprisoned President Leo Frank to a second term as their beloved leader. Leo Frank ran the affairs of his B’nai B’rith chapter behind bars until September of 1914, when he was not re-elected again for a third term, while his frivolous appeals were falling apart because of the criminal activity involved with bribing and coercing witnesses (Georgia Supreme Court Records, 1913, 1914).
The Jewish Hate Crime Hoax and racist anti-Gentile Blood Libel of the Leo Frank Trial
Leonard Dinnerstein, Abraham Foxman (August 18, 2005) and the ADL have been at the forefront of perpetuating the hate crime hoax that people were shouting and chanting “hang the Jew” and “Kill the Jew” outside the Leo Frank trial courtroom that had all of its windows wide open during the proceedings, because of the hot summer days from July 28, to August 25, 1913. This is a viciously racist anti-Gentile Big Lie perpetuated by ADL and Abraham Foxman, Leonard Dinnerstein, and many other hatefilled Jewish domestic extremists, spreading bigoted racially tinged smears against European-American Southerners.
Saint and Martyr of Sadistic Perversion
Why anyone would transform a sadistic child molester and convicted child killer into a martyr of anti-Semitism is incomprehensible, but Jason Robert Brown and Alfred Uhry have made millions of dollars with this musical ‘Parade’ performing literally internationally, falsifying the official records of the Leo Frank Trial and humanizing a violent child molester who would be a registered sex offender today and get gang raped by Blacks in prison.
A dead little raped teenage girl is used as a cheap plot device to wage a vicious racist culture war against Southerners. Many people are asking: Are these the treacherous people we want determining our popular culture? Are these the people we want determining the theatre curriculum in our public schools and colleges? A broader question we might ask: Are these the kinds people we want as our politicians, judges, teachers, professors, media bosses, civil rights leaders?!
Jews calling the Leo Frank Case an American Dreyfus Affair and a Blood Libel, comparing the Frank-Phagan affair to Menahem Mendel Beilis, for more than a century is more than unconscionable chutzpah, its an act of race war. The Leo Frank trial is being relentlessly used as a morality tale for the purpose of shaming and deracinating European-Americans into denying their tradition of ethnic solidarity and wrongfully making White Americans think they destroyed an innocent and noble man because he was Jewish. This is the old mask of anti-Gentile defamation that began in 1913, continued for generations, with a modern turn of the the 21st century face lift.
If you have even any doubts about Leo Frank’s innocence or guilt, then listen to the silent echo in time and space from the spirit of Lucille Selig Frank (February 29, 1888 – April 23, 1957).
If you ever get a chance, go to the Mount Carmel Cemetery in Queens, New York City, visit Leo Frank’s grave, and look to the left of it and stare, that empty grave was reserved for Lucille Selig, ask yourself why is it still empty in 2013? If you have doubts that grave is still empty, go to the cemetery front office at the gate entry and ask them if it is indeed empty or not, because they will tell you it is absolutely empty. You can actually write an official letter to the cemetery requesting information about the Frank-Stern family grave site and they will respond on letterhead, if you want more than just verbal proof, but official physical proof about the emptiness of grave plot #1 located left of grave plot #2 where Leo Frank is interred.
You would think after reading all the insistent, shrill denials in mainstream massmedia for the last 100 years; books, made-for-TV movies, miniseries (Murder of Mary Phagan, Jan 24 & 26, 1988) and docudramas (2009), including heart-tugging plays (Knights of Mary Phagan by Wallinger) and even a Broadway stage musical (Parade by Jason Robert Brown and Alfred Uhry) in New York that spread globally like wildfire – that suggest Lucille’s love for her husband Leo Frank was eternal and lasted till the day she passed away and beyond her death: So, once again, why did she specifically not want to be buried next to Leo Frank? (She requested an Atlanta Park according to her Nephew Alan and Harold Marcus, sons of Sarah Selig (sister of Lucille) and Charles Marcus). See Oney, features, UGA, 2004.
Finally, why were Lucille’s ashes not spread or buried next to Leo Frank?
Because Lucille was no feather brained step-ford wife when all is said and done. If she really loved Leo Frank eternally, beyond the dog and pony show of appearances, she would have been buried in, or ashes spread at, the empty grave next to him that was reserved for her at the Mount Carmel Cemetery, but she left her own verdict on the Leo Frank trial from the passing of her life, and the silence speaks deafening volumes when she died long ago on April 23, 1957 of a heart disease (broken heart), just 3 short days before the 44th anniversary of the Mary Phagan murder.
If you want to learn what really happened at the Leo Frank trial, visit The American Mercury on the Internet and read all their Leo Frank Case reports, they have published an absolutely superb multi-part series on the centennial of the Leo Frank trial. It’s chock full of images and thoughtful analysis, revelations you would never get from other sources, who erroneously and willfully go out of their way to distort what happened in the Fulton County court house 100 years ago (July 28, 1913 – August 26, 1913).
The Jewish Daily Forward www.Forward.com and Abraham Foxman www.ADL.org are foaming at the mouth about the American Mercury and Leo Frank Research Library, because 100 years of big Jewish lies that have aggressively been pushed into the popular mainstream culture are disintegrating. Some members of the Jewish community never dreamed the 1,800 page Leo Frank Georgia Supreme Court archives would end up being published online at the centennial of the Mary Phagan murder, April 26, 2013, available for the whole world to read, but now there is no escape from the disturbing truth within these official records.
100 Years of Jewish Censorship Coming to an End
Soon the world is going to find out about another child laborer Leo Frank sadistically defiled, one year before Mary Phagan was raped and killed. After the Leo Frank trial ended another little girl came forward with descriptions of a harrowing incident… In 1912, Leo Frank raped another one of his child employees, and when he was done ravaging her, he slithered down between her legs and bit her so hard on the inner thy adjacent to the vagina, that he permanently scarified her, but this didn’t come out until Leo Frank’s appeals, because the girl had gotten pregnant and was thereafter shipped off to a home for unwed mothers! This is the sadistic pedophile who has been used as a seditious bludgeon for a century to attack, defame, smear, slander, blood libel, and hate hoax Americans! This is the man being held up as a holy religious martyr of anti-Semitism and injustice. This is the girl whose virgin blood and strangled corpse gave birth to the financially and politically powerful ADL, the racist anti-Gentile hate group masquerading as a civil rights organization, who honor Leo Frank as heroic and whose trial is a reminder that “not too long ago anti-Semitism, not the facts, convicted an innocent man”.
We Will Never Forget Mary Phagan and we will never stop fighting for her honor until our very last dying breath. We will never stop fighting against the century old culture defamation and race war waged by the Jewish community, ADL, Jewish Groups and SPLC, against the South, Southerners, European-Americans and all of Western Civilization.
Visit the American Mercury now and read the Leo Frank Trial Transcript Analysis: www.theamericanmercury.org
Source: www.tumblr.com/blog/leomaxfrank (Warning Graphic Content, Viewer Discretion is Advised, Must be 21 or older to view)
Parade is a musical with a book by Alfred Uhry and music and lyrics by Jason Robert Brown. The musical was first produced on Broadway at the Vivian Beaumont Theater on December 17, 1998. The production was directed by Harold Prince and closed 28 February 1999 after only 39 previews and 84 regular performances. It starred Brent Carver as Leo Frank, Carolee Carmello as Lucille Frank, and Christy Carlson Romano as Mary Phagan.
The musical won Tony Awards for best book and best score (out of nine nominations) and six Drama Desk Awards. The show has enjoyed a U.S. national tour and numerous professional and amateur productions in both the U.S. and abroad.
In reality the whole underlying conspiratorial premise of Gentile anti-Semitism woven through the 21st century production of, ‘Parade’, is to mask the Jewish racism against African-Americans and against European-Americans inherent in the Leo Frank Case, which has become an agitation campaign against White people. For the last 100 years, Jews have manipulated the Leo Frank case into a fraudulent Jewish persecution themed fiction, meant to demoralize Gentiles, especially European-American Gentiles. The Talmud teaches Jews don’t consider it a crime if one of their own racial kinsmen assault and kill a Christian girl.
What this re-engineered Broadway play does NOT tell the audience is Leo Frank botched a most deliciously racist intrigue, a poorly orchestrated attempt to have the murder of Mary Phagan framed on his employee, an African-American security guard named Newton “Newt” Lee. After Leo Frank’s racist plot failed against the Nightwatchman Newt Lee, Leo Frank made a second racist attempt to pin the murder of Mary Phagan on his African American Janitor named James “Jim” Conley, his admitted accomplice after the fact, but this railroading also failed. That’s the dirty truth about the Leo Frank Case the Jewish community has tried to suppress for 100 years.
The reason the racist anti-Black plot might have succeeded, if Leo Frank hadn’t botched his gambit, is because Negroes were generally considered third class citizens in the Old South before the civil rights movement in the 50′s and 60′s, and their word as “Negroes” was almost never taken over a White man or White women. Leo Frank plotted to entrap an innocent Negro first, to become his patsy, hanging for the murder of Mary Phagan, simply because in 1913 Atlanta, it would have been infinitely easier to convict a “low ranking” African American nightwatchman or janitor (Newt lee or Jim Conley) vs. a prominent and wealthy White Jew who was well connected in the South. Everyone knows money is power in the legal system in 1913 or 2013. Leo Frank married into a prominent Jewish family, and he was the 1912 and 1913 president of the Atlanta B’nai B’rith, a 500 members strong Jewish Brotherhood that collectively wielded enormous financial resources. As a result, Leo Frank had access to the best, brightest and most expensive Lawyers in all of Georgia. Sigmund Montag, B’nai B’rith associate and treasurer of the National Pencil Company, authorized Luther Rosser’s lawfirm (that became Rosser, Brandon, Slatonand Phillips in early July 1913) and Jewish attorney Herbert Haas to defend Leo Frank, shortly thereafter hiring the Pinkerton Detective Agency to “Ferret Out the Murderer No Matter Who He is”.
We must counter the Jewish Defamation Campaign
The Leo Frank Case is being used by the genetic enemies of Western Civilization as a subversive social weapon of agitation, division, demoralization and deracination against Southerners, African Americans, European-Americans and Gentiles as a whole. The Leo Frank Case is being used as another front in the Jewish race war against Western Civilization to deracinate Whites. What makes this Jewish defamation campaign most grotesque is the recruitment of naive Gentiles as cannon fodder in their dirty culture war.
Sources for Parade:
Theatre Chic: http://theatre_chick.tripod.com/parade.html
Arden’s ‘Parade’ is powerfulhttp://www.delconewsnetwork.com/articles/2013/10/08/entertainment/doc52543c15a429a251408740.txt
Theater Review: Parade (Philly)
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Parade Goes International, Theatre Locations include: Canada, Mexico, England, Italy, European Union, Australia, New Zealand, South Africa, South America, Israel and more than half the U.S. states.
Last Updated: 2013